Sk Opening Day at an Art Exhibition African Violet
How to Tell Stories that Matter? ERIAC brings Manifesta 14 to Belgrade
it matters what worlds world worlds. how to tell stories otherwise… Manifesta 14 Western Balkans Practiced Talk on sixteen May 2022 The 14th Edition of Manifesta, the European Nomadic Biennial, volition take place from the 22nd of July until the 30th of October 2022 in Prishtina, Kosovo. Organised for the occasion of the biennial, Manifesta…
Text past ERIAC ›››
Venice Biennale Dispatch: Daniel Baker, Getaway, 2022
Daniel Baker's preoccupation with the contingent nature of Roma material civilisation is highlighted in the conceptual artwork Getaway; an installation designed to occupy the public foursquare at the entrance to Eugen Raportoru: The Abduction from Seraglio & Roma Women: Performative strategies of Resistance at Biennale Arte 2022. Getaway is defined every bit: an act or instance…
Text by Daniel Bakery ›››
Official Opening! The Abduction from the Seraglio, 59th Biennale di Venezia
Over the course of the 127 years long history of the Biennale, the exhibition commissioned past ERIAC for the 59th International Art Exhibition is only the fourth occasion when a presence of Roma fine art is ensured. The current cultural underrepresentation of work made by Roma coupled with the continuing stereotypical representation of Roma by non-Roma…
Text by ERIAC ›››
Re-Enchanting the Globe: Collaboration instead of Competition
Interview with Wojciech Szymański and Joanna Warsza, co-curators of Małgorzata Mirga-Tas's exhibition in the Polish Pavilion at the 59th Venice Biennale. What is the exhibition concept and the journey behind it? Wojciech Szymański: The concept for the exhibition Re-Enchanting the Earth was built-in tardily last summer. On the one hand, with its title, the exhibition refers…
Text by Katarzyna Pabijanek ›››
Małgorzata Mirga-Tas: I Set Out to Re-Tell the Roma Story
Re-enchanting the World – a conversation with Małgorzata Mirga-Tas, the creative person representing Poland at the 59th International Fine art Exhibition Your monumental piece of work in the Smooth Pavilion refers to the famous "calendar" cycle of frescoes from the Renaissance Palazzo Schifanoia in Ferrara, Italy. How was the idea for this project born? MMT: The project is an…
Text by Katarzyna Pabijanek ›››
Eugen Raportoru'south exhibition brings in marginalised perspectives and creates a platform for feminist artmakers
RomaMoMA interviews curator Ilina Schileru. Y'all are both an creative person and a curator. How have these two practices influenced each other inside you? Ilina Schileru: Information technology all started with my need to create a customs as an artist, and I envisioned it every bit an creative person-led community. That is when I began negotiating for a infinite…
Text past Etelka Tamás-Balha ›››
The Biennale is a Red Carpeting for Artists
RomaMoMA interviews Eugen Raportoru. Amid the most recognised painters of his generation in his country of origin, Eugen Raportoru (Bucharest, 1961) has always taken pride in his Roma origins. His recent experiments in installation narrate past memories from his childhood and often contain self-referential elements through which he creates a subconscious genealogy of the unspoken…
Text by Etelka Tamás-Balha ›››
The Roma Exhibition as a Infinite for Transnational Alliances
Interview with the Commissioners of the Roma Exhibition at the 59th Biennale Arte: Abduction from the Seraglio: Timea Junghaus, Executive Managing director of ERIAC, and Zeljko Jovanovic, Managing director of the Open Order Roma Initiatives Role, and Chairman of the Lath of ERIAC RomaMoMA: What is the history of the presence of Roma art at the La…
Text by ERIAC ›››
Eugen Raportoru: The Abduction from the Seraglio and Roma Women: Performative Strategies of Resistance
Collateral Events of the 59th International Venice Biennale. Curated by Ilina Schileru. Commissioned by Zeljko Jovanovic and Timea Junghaus on behalf of the European Roma Institute for Arts and Civilisation (ERIAC). With special contributions from: Ethel Brooks, Ioanida Costache, Mihaela Drăgan, Carmen Gheorghe, Delia Grigore, Angéla Kóczé, Dijana Pavlovic, Erasma Vicenzina Pevarello, Alina Șerban The…
Text past ERIAC ›››
Mobile, Virtual, Imperceptible: Collections of the Hereafter?
In the times of museums being burned downwards because of war or put at risk considering of climate disaster effects – what is a meaning of a public art collection? Could nosotros imagine a unlike definition of collecting, an culling circulation of objects, or an art museum without art objects? What if museums start collecting…
Text by ERIAC ›››
Roma Women – Performative Strategies of Resistance
The European Roma Institute for Arts and Culture (ERIAC) is proud to nowadays Eugen Raportoru: The Abduction from the Seraglio, accompanied by Roma Women: Performative Strategies of Resistance, an official collateral event at the 59th International Fine art Exhibition, curated past Ilina Schileru. In the long history of La Biennale, this is but the fourth occasion when a presence of…
Text by ERIAC ›››
Emília Rigová at the 23rd Triennale Milano International Exhibition
The European Roma Institute for Arts and Culture (ERIAC) is proud to present Emília Rigová: And the One Doesn't Stir without the Other, curated by Timea Junghaus, an official Roma exhibition at the 23rd Triennale Milano International Exhibition. The Triennale takes place fifteen July – xi December 2022, under the title Unknown Unknowns. An Introduction…
Text by ERIAC ›››
Eugen Raportoru: The Abduction from the Seraglio and Roma Women: Performative Strategies of Resistance
Collateral Event of the 59th International Art Exhibition – La Biennale di Venezia Curated by Ilina Schileru Commissioned by the European Roma Constitute for Arts and Civilization (ERIAC), Željko Jovanović, Timea Junghaus Exibition Site: Istituto Veneto di Scienze, Lettere ed Arti | Campo S. Stefano 2945 Opening Event: 22 April 2022, half dozen–7pm Istituto Veneto di Scienze, Lettere ed…
Text past ERIAC ›››
Re-enchanting the World Małgorzata Mirga-Tas
The Re-enchanting the World project by the Polish-Roma creative person for the Smooth Pavilion at the 59th International Art Exhibition is an attempt to expand the Shine and European iconosphere and art history with representations of Roma culture. Adhering to the title of this year's edition of the Biennale Arte (The Milk of Dreams), the artist will create…
Text past labiennale.fine art.pl ›››
ANNOUNCEMENT OF Artist RESIDENCY WINNERS 2022 IN VILLA ROMANA, FLORENCE
International Guest Artists 2022: Dariya Kanti and Luna De Rosa A cooperation between the European Roma Plant for Arts and Culture (ERIAC) and Villa Romana, Florence Villa Romana is a site of contemporary creative product and international substitution. Founded in 1905 by artists and patrons, it continues to operate as a not-profit clan. Every year,…
Text by ERIAC ›››
Thoughts after Florence
Last October, I participated in a joint artist residency with a stipend offered by ERIAC and Villa Romana. The scholarship grants the opportunity for young European Roma artists to travel, build networks and broaden their knowledge past educating themselves in Florence, ane of Europe's most ancient and illustrious art centres. Villa Romana is situated on…
Text by Norbert Oláh ›››
In which the Smooth authorities invites a Romni to the Venice Biennale and the puzzle begins
Art most definitely speaks for itself, just La Biennale di Venezia is not merely about art: it is besides political, and the political language it speaks is not exactly autonomous (in the sense we think of in the 21st century) or grassroots. At La Biennale, nations converse and compete, displaying their developments and achievements, hopes…
Text by Agata Czarnacka ›››
The Word for World Is Forest
I had planned to discuss hither the art of emancipation, an original perspective, and the starting point taken by an artist who brings a breath of fresh air. Drawing on the works of Krzysztof Gil, I had intended to analyse his visual strategies, which decolonise approved art in an original and personal style, exploring elements…
Text past Joanna Synowiec ›››
Practising Archival Alliances: RomaMoMA at Vulnerable Archives
"But don't worry, coz you lot won't rule any more, the future is ours".[1] Undermining the modernity/coloniality strategy of situating other knowledges and identities in a disempowered past through the act of labelling communities as "traditional" and "primitive" and denying them the right to participate in the present, Mihaela Drăgan, with her performance, Roma Futurism: The…
Text by Elena Quintarelli ›››
The Intersecting Gaps of Unknowing
Starting at the End: Unknowing OFF-Biennale Budapest was about to end in tardily Apr, when one of its most prestigious and still nether-recognised artworks, Péli Tamás's Birth arrived in Budapest, to the Budapest History Museum in the Castle.[1] Shortly after closing the Mara Oláh exhibition[2] at the Glove Mill Customs Firm (Kesztyűgyár Közösségi Ház), I…
Text past Andrea Pócsik ›››
From the Dining Hall to the Budapest History Museum: Contemporary Roma art and cultural heritage, trapped in community space?
The present text[1] presents a brief overview of the cultural and communal mission of Romano Kher from Hungary, especially focusing on their summer camps where significant artworks were displayed and made a major bear on on generations of Roma youth. I argue here that due to a lack of proper institutional background, Roma cultural and art…
Text by Eszter György ›››
COLLECTIVELY CARRIED OUT: Tamás Péli'due south Birth
This calendar week nosotros present the film documenting the opening of the exhibition, Collectively Carried Out: Tamás Péli's Birth. ERIAC Executive Director Tímea Junghaus takes you on an exclusive fine art historian-guided bout of the exhibition. Entitled Birth, Tamás Péli's monumental artwork is of unparalleled significance in many respects. Painted on fibreboard, the panel painting of…
Text by Off-BIennale Budapest, video by Kornél Szilágyi ›››
Dismantling ethnography, decolonising the museum, flipping the map: Wesiune thana / Place in the Woods by Małgorzata Mirga-Tas
There is no doubt that for some time now we have been witnessing two cultural processes in Europe, that are simultaneously complementary and competitive. On the one hand, the last decades of the twentieth century and the first decades of the 20-first century tin can exist characterised as a period of unprecedented growth of interest in…
Text by Wojciech Szymański ›››
Unexpected Encounters: Polish Pavilion at the International Art Exhibition — La Biennale di Venezia
On 28 September 2021, a jury assembled at the Zachęta – National Gallery of Fine art to select the winning curatorial projection for an exhibition to be held at the Polish Pavilion as office of the 59th International Fine art Exhibition in Venice in 2022 (La Biennale di Venezia, 23 April – 27 November 2022, curated by…
Text by Monika Weychert ›››
Roma at the Venice Biennale
The selection of Małgorzata Mirga-Tas to represent Poland at the 59th International Art Exhibition at the Venice Biennale is a great step forward for Roma contemporary art, Roma recognition and for the Roma people. Mirga-Tas has been exhibiting internationally for many years to slap-up acclaim, and this opportunity is a fitting milestone in the artist'due south…
Text by Daniel Baker ›››
Reclaiming Ourselves Through Our Labour: Selma Selman'south artistic practice and modes of healing
Equally I reverberate upon how to synthesise ideas of a possible Roma museum, exhibiting the work of artists in a decolonised mode, and on the work of Selma Selman in the context of her solo exhibition at the Kasseler Kunstverein in Kassel, Deutschland, which I co-curated with Olga Holzschuh, the following notions come to listen:…
Text by Boshko Boskovic ›››
Fine art and Memory – and the Future
Alfred Ullrich'south pictures are irritating. Is this abstract art, or are they floral patterns, wallpapers, defunction? What is this? Moreover, what does this take to do with the culture of the Roma, to which the exhibition Art and Healing at the Schafhof European Centre for Art Upper Bavaria is dedicated, and in which, amongst others,…
Text by Björn Vedder ›››
Yesterday Can Tell Us a Lot Almost Tomorrow
The 2014 exhibition, Tajsa, which I curated together with Katarzyna Roj, presented me with a great challenge. Up to that signal, I had been putting on humble independent shows in places that did not have the status of a public institution. In my world, everything happened in real fourth dimension: there was no long-term projection schedule,…
Text by Joanna Synowiec ›››
Reinventing the Romani wheel: a visual essay on the history of Rom*nja under socialist rule
Blue on the top, green on the bottom, a red star in the middle. At beginning glance, the poster for the exhibition, Manuš heißt Mensch – Manuš ways homo, seems to aim for a clear connection to the Romani flag, and therefore a perspective on Romani activism and politics. On closer exam, even so, the question…
Text by Samuel Mago ›››
RomaMoMa – The Digital Roma Museum
The exhibition Art and Healing – A Roma Contribution for Europe, on view at Schafhof – European Center for Art Upper Bavaria until 26 September, featured the nomadic RomaMoMA Library and works by Valérie Leray (F), Selma Selman (BIH), Dan Turner (United kingdom of great britain and northern ireland), and Alfred Ullrich (D). Following our post on the RomaMoMA Library display at Schafhof and…
Text by Alfred Ullrich ›››
ADJACENT : RomaMoMA Nomadic Library display at Vulnerable Archives, SAVVY Contemporary
The Adjacent pattern concept marries the barcode of a book from the RomaMoMA Nomadic Library with a functional object. In this case, Next is a white mobile tabular array painted with black lines to form the barcode of Nosotros Roma: A Disquisitional Reader in Contemporary Art. The concept title refers not only to the parallel lines…
Text past Daniel Bakery ›››
Thinking and Building through Roma Positionality
Fifty-fifty as I sit to write this curt piece, I seek to find my vocalisation through writing. For me, equally a Romani adult female, writing has become i of those forms that have immune me to tell the history of anti-Roma Europe: the unspoken history. The embedded European racial terror against Roma and other racialised people…
Text by Sebijan Fejzula ›››
A Museum of Connections
In my consideration for RomaMoMA, I have chosen an entire exhibition, Art and Healing – A Roma Contribution for Europe, currently on view at Schafhof: the European Center for Art Upper Bavaria. To choose a singular artwork would not fairly stand for the wide range of works homogenised by the term 'Roma Art'. This exhibition is…
Text past Dan Turner ›››
Owning the Game: Intersectional Self-Representation in the Roma LGBTQ+ Communities
Introduction Representation matters. The smashing majority of those who volition not feel the weight of this are those who do non suffer its absence. It is truly difficult to explicate this type of absence to those who meet themselves everywhere – in magazine columns, on the Goggle box, and even in exhibition spaces. Nor is it…
Text by Joci Márton ›››
Art and Healing – A Roma Contribution for Europe
The exhibition Art and Healing – A Roma Contribution for Europe opened in Schafhof – European Heart for Art Upper Bavaria on 24 July. The exhibition features works by Valérie Leray (F), Selma Selman (BIH), Dan Turner (UK), Alfred Ullrich (D), and the nomadic RomaMoMA Library, consisting of approximately 100 English-language books focusing on Roma Art History and…
Text past ERIAC ›››
RomaMoMA Nomadic Library as A Roma Contribution for Europe
The RomaMoMA Nomadic Library, initiated on the 50th ceremony of the Offset World Roma Congress, on International Roma Day, 8 April 2021, is currently on view at Schafhof: the European Center for Fine art Upper Bavaria, inside the framework of the exhibition, Art and Healing – A Roma Contribution for Europe. Alongside the RomaMoMA Library, featured artists…
Text by ERIAC ›››
My feminism does non shout, but it tells stories: Małgorzata Mirga-Tas and Edis Galushi in conversation with Joanna Warsza
The third edition of the Autostrada Biennale launched 17 July in Kosovo. Extending between the cities of Prishtina, Prizren and Peja, What if a Journey… was curated by the Berlin-based curators Övül Durmusoglu and Joanna Warsza, and features Romani creative person Małgorzata Mirga-Tas'southward piece of work, HERSTORIES. For the installation, supported past ERIAC, Mirga-Tas worked with Romani artist…
Text by Joanna Warsza ›››
NO INNOCENT LANDSCAPE – VALÉRIE LERAY
This week nosotros feature the solo exhibition of Valérie Leray, No Innocent Landscape, currently on view at the ERIAC Gallery Infinite in Berlin, opened on 2 August equally part of the commemorations of the Roma Holocaust. On view 2 August – 29 October 2021. No Innocent Landscape Valérie Leray's landscapes are marked by abandoned, neglected, contested or…
Text by ERIAC, video by Kornél Szilágyi ›››
A Roma Future through a Process of Decoloniality
Helios F. Garcés, in his bright analysis published in Spanish in 2016, "El racismo antirom/antigitano y la opción decolonial", which translates as "Anti-Roma/anti-Gypsy racism and the decolonial choice", situates anti-Roma racism through a decolonial perspective at the very foundation on which modernity is built. The severe processes of racialisation accept historically and materially displaced Roma…
Text by Marina Gržinić ›››
RomaMoMA: An Opportunity for Differencing the Museum Canons
It is a great privilege to have been approached to share my thoughts on the RomaMoMA blog.[ane] Nevertheless, my initial reaction was very personal and hesitant. I had to ask myself: who am I to be given this nifty opportunity to suggest, propose, suggest, or simply share my personal scepticism, discomfort, and disenchantment about the…
Text past Suzana Milevska ›››
THE RESTITUTION OF ROMANI ARTWORKS AND ARTEFACTS Console Give-and-take – TRANSCRIPT Role 2
Ii weeks ago, nosotros posted the video documentation of the Restitution panel discussion within the online conference, Critical Approaches to Romani Studies, organised by the Romani Studies Programme at Key European University (CEU), in partnership with ERIAC and OFF-Biennale Budapest, 31 May 2021. Last week, we posted Part 1 of the transcript. Today we post…
Text by ERIAC ›››
THE RESTITUTION OF ROMANI ARTWORKS AND ARTEFACTS PANEL Word – TRANSCRIPT Function I
Last week nosotros posted the video documentation of the Restitution panel discussion within the online conference, Disquisitional Approaches to Romani Studies, organised by the Romani Studies Program at Primal European University (CEU), in partnership with ERIAC and OFF-Biennale Budapest, 31 May 2021. Today nosotros post Part 1 of the transcript. The console was introduced by…
Text by ERIAC ›››
THE RESTITUTION OF ROMANI ARTWORKS AND ARTEFACTS
Panel discussion within the online conference, Disquisitional Approaches to Romani Studies, organised by the Romani Studies Programme at Primal European Academy (CEU), in partnership with ERIAC and OFF Biennale Budapest, 31 May 2021. Recent struggles for racial justice and decolonisation have forced cultural institutions, museums, and galleries all over the world to critically reflect upon their…
Text by CEU Romani Studies Plan, ERIAC and OFF Biennale Budapest, video past CEU Romani Studies Program ›››
Reframing Restitution: The Case for a Roma MetaMuseum
The evolving concept of a Roma Museum has a crucial office to play in reclaiming access to our cultural histories, simply questions remain regarding its futurity form. Possibilities range from a mobile museum to a defended edifice, but while argue continues, possibly a more oblique take on the discipline—a Roma MetaMuseum—might motion united states closer toward…
Text by Daniel Baker ›››
RomaMoMA: a Roma Transnational Museum – Challenges and Issues
I accept been asked to offering my opinion regarding the concept of RomaMoMA, an establishment putting on display contemporary art. Mine is an stance that comes from a seasoned non-Roma observer of contemporary Roma art scene, a Poland-based critic and curator. The emergence of an establishment like this poses a number of questions, the starting time…
Text by Monika Weychert ›››
Roma Resistance and Resilience
This calendar week, nosotros feature the Roma Resistance and Resilience exhibition, currently on view at ERIAC Art Infinite Berlin, with another version of the show on view at the newly opened ERIAC Serbia in Belgrade. We can just cover the 600 years of resilience and survival of the Roma minority in Europe if we recognise the…
Video by Kornél Szilágyi ›››
The Art of Resistance – Resistance through Art
RESIST![ane] illuminates 500 years of anti-colonial resistance in the Global South, shining a low-cal on colonial oppression and its effects up to the present day. The exhibition pays homage to all the women, men and children who take resisted in multifaceted means and whose stories remain generally untold or unheard. Numerous works by contemporary artists…
Text by Tímea Junghaus, introduction via Rautenstrauch-Joest Museum Cologne ›››
The Historical Approach of Tamás Péli'south Console Painting, entitled Nascency
The First National Exhibition of Cocky-Taught Artists in Hungary was already organised by Ágnes Daróczi in 1979, in order to bring into the limelight talented Roma artists; yet, the third such display, in 2000, continued to exist held in the Museum of Ethnography (Budapest), rather than an constitute of gimmicky fine art, as if the exhibits were manifestations…
Text by Emese Révész, introduction by Anna Lujza Szász ›››
Spark, burn every moment – reflections on a legend
The works of Mara Oláh (1945-2020), internationally acclaimed contemporary Hungarian Roma painter of outstanding talent, are presented at the current edition of OFF-Biennale Budapest, within the framework of the RomaMoMA programme. The option on view forms the basis of a small-scale, yet clamorous (!) result serial. Omara (her artist name, or nom de guerre(!)) was…
Text past Kata E. Fris, introduction past Andrea Pócsik ›››
Daniel Bakery: Emergency Artefact #one (2016)
The third edition of OFF-Biennale Budapest, INHALE!, takes the seminal political poem "A Breath of Air!" (1935) by 20th-century Hungarian poet Attila József as its starting point. The research and online exhibition projection, Order and Dreams, a cooperation between OFF-Biennale and the Vera and Donald Blinken Open up Society Archives, presents the political and social context of the…
Text by Katalin Székely ›››
Norbert Oláh: The Anxieties of the 'Roma Artist'
The following text accompanies Norbert Oláh's installation during OFF-Biennale Budapest (on view 23 April – thirty May) in front of the erstwhile edifice of the Roma Parliament. The bricks of his wall have clearly legible words on them, representing concepts and perceptions that are ingrained and instilled into u.s.. These contain the wall of feet….
Text by Norbert Oláh and OFF-Biennale intro ›››
The Whip and the Mask
A Spanish Roma at the front of the stage In many Romani theatrical experiences, there is an unconscious desire to get out of Modernity, out of that public space that forces you to cull a competitive representation of an identity. Of whatever identity. It is lived, or wants to exist lived, as a expose of…
Text by Miguel Ángel Vargas ›››
RomaMoMA at OFF-Biennale Budapest
The 3rd edition of OFF-Biennale opens Fri, 23 April 2021. Due to Covid-19 restrictions, this edition will take a hybrid format, with the opening streamed online, 8pm CET. For upwardly-to-date information on all programmes throughout the third edition, 23 Apr to thirty May 2021, please see: https://offbiennale.hu/en/2021 Here, the OFF-Biennale squad offers an outline of…
Text by OFF-Biennale team ›››
Proclamation of Artist Residency Winners 2021 in Villa Romana, Florence
International Invitee Artists 2021: 50'uboš Kotlar and Norbert Oláh A cooperation between the European Roma Institute for Arts and Culture (ERIAC) and Villa Romana, Florence Villa Romana is a site of contemporary creative production and of international exchange. Founded in 1905 past artists and patrons, information technology continues to operate as a non-turn a profit clan. Every year,…
Text by ERIAC ›››
RomaMoMA Nomadic Library
On this 50th anniversary of the First World Roma Congress, on International Roma Day, 8 Apr, nosotros present a big-scale, on-going project, which is becoming a centrepiece of RomaMoMA, in various locations where nosotros will take a presence. If yous and your establishment have an interest in providing a location and/or occasion for the RomaMoMA…
Text by ERIAC ›››
FAMILY Archives exhibition
This calendar week, nosotros feature the Family Archives exhibition, currently on view at ERIAC Art Infinite Berlin, adapted from the exhibition originally curated within Diaspora Europe at the Volksbühne Berlin in December 2020. The Family Archives exhibition is a subjective counterpoint to research into the public and institutional archives. This research is carried out with the participation of European…
Video past Kornél Szilágyi ›››
Claiming the Past by Occupying Contemporary Spaces and Minds
Long gone are the times When Roma wandered around, Only I still come across them. They are similar running water Ever running abroad […] (Papusza: Water that e'er wanders)[1] I call back I became a feminist the moment I started to defend my mother and aunts from the violence they suffered. I have learned that I am…
Text by Nicoleta Bitu ›››
GUIDED TOUR of FUTUROMA exhibition with CURATOR DANIEL BAKER
This week, we are excited to share an unreleased video tour through the FUTUROMA exhibition with curator Daniel Baker, in person! The group exhibition FUTUROMA, curated past Daniel Bakery and deputed past ERIAC, was a collateral event of the 58th International Art Exhibition La Biennale di Venezia in 2019. The exhibition and so travelled to Florence,…
Video past ERIAC ›››
ROMANISTAN MONOLOGUES
RomaMoMA shares a radical, visionary and destructive project this week: the Romanistan Monologues! ERIAC has made video interviews with Roma arts professionals and experts since last July, in an open and free give-and-take on the thought of Romanistan. This creative take a chance is congenital on a discourse with numerous European Roma intellectuals, public figures, politicians, artists, citizens and youth,…
Video by Jozsef Halmen ›››
Alliances and Solidarities: On the Development and Reception of my Naked Life Performance Serial (2004-16)
Taking as its indicate of divergence research from the United nations Human Rights Commission's reports on vehement deportations of Roma from the European Marriage, my project, Naked Life (2004-xvi) addresses the fate of Balkan, High german, Scandinavian, Scottish, Irish and British Roma, Sinti, Gypsy and Traveller populations. In this framework, I produced a number of multimedia…
Text by Tanja Ostojić ›››
What challenges do you come across, if whatsoever, with the concept of a Roma Museum as a whole?
…and the RomaMoMA interviews conclude (for now)! (Office 5 of 5) All good things must come up to an finish: this calendar week we present the terminal portion of the RomaMoMA interviews What challenges do yous run across, if whatsoever, with the concept of a Roma Museum every bit a whole? One participant feels that information technology is a great…
Video past Jozsef Halmen ›››
Nosotros call up… Recollections on Prefigurativity, Translocality, Trust, and a Museum of Roma Contemporary Art
The curatorial squad of OFF-Biennale Budapest expands upon the notion of "RomaMoMA" as a platform to discuss, to imagine, and to "perform" a Transnational Museum of Roma Contemporary Fine art through discursive events, gimmicky art projects, publications, and mediation. To challenge the notion of the museum and to engage the public in questions about cultural heritage…
Text by Eszter Lázár, Hajnalka Somogyi, Katalin Székely ›››
How would yous present the complexity of Sinti and Roma art and civilisation to brand information technology easily understandable to a broad international audition?
The RomaMoMA interviews are back! (Office 4 of 5) This time, we have a more "practical" question regarding the actual implementation of a concrete Roma museum: How would you nowadays the complication of Sinti and Roma art and culture to make information technology hands understandable to a wide international audience? Given the huge responsibility the museum…
Video by Jozsef Halmen ›››
Critical Reflection on the RomaMoMA Initiative
This disquisitional reflection comprises a subjective questioning and mind-mapping woven into the analysis of the Sostar Collective's video, entitled Rewritable Pictures, in which the author attempts to translate the problems raised by critical gimmicky art into thinking well-nigh the institutional possibilities of a future imagined Roma museum. The following text is a succinct reflection of…
Text by Krisztina Varga ›››
WHAT Physical STEPS AND/OR OBSTACLES Practice YOU ENVISION IN PREPARING A ROMA MUSEUM?
The RomaMoMA interview series continues! (Role 3 of 5) What physical steps and/or obstacles do you envision in preparing a Roma Museum? What exactly is required in order to create a respectful Roma museum? Information technology is no secret that creating a Roma museum is a bang-up challenge, equally it refers to an ethnic grouping rather…
Video by Jozsef Halmen ›››
Achille Mbembe: The Global Present
This video was first published on post, The Museum of Mod Art'southward online resources devoted to art and the history of modernism in a global context. This presentation was part of The Multiplication of Perspectives, which took identify in April 2019 at The Museum of Modernistic Fine art, and brought together scholars, artists, and curators from around…
Video by MoMA ›››
What role shall a Roma Museum have inside the landscape of European cultural institutions?
Our interview series continues! (Part 2 of five) For our RomaMoMA weblog, this time we asked Roma and non-Roma artists and arts professionals to reverberate upon the following question: What role should a Roma Museum have within the landscape of European cultural institutions? One respondent summed up the museum's function using iii keywords: support, infinite…
Video by Jozsef Halmen ›››
The Body as Archive, Archiving One'due south Self
Meghan Forbes considers the work of RomaMoMA every bit related to memory production and preservation, through the process of recording, archiving and exhibiting. This essay emphasises the relevance of the new museum as a model for an anti-racist, decolonial museum practise then needed in our contemporary moment. She besides considers the work of one creative person who…
Text past Meghan Forbes ›››
How exercise you lot imagine a Roma museum? What shall a Roma museum collect and showroom?
For our RomaMoMA blog, we asked Roma and not-Roma artists and arts professionals to answer a simple but complex question: How practise you imagine a Roma Museum? What should a Roma Museum collect and exhibit? While the responses are quite diverse, there is a conjunction of similar problematics and visions. In ane instance, the importance…
Video by Jozsef Halmen ›››
A Roma Museum – The Promise of a Discursive Space, and a Source of Knowledge
If Europe's over fifteen grand museums are truly "democratising, inclusive and polyphonic spaces for disquisitional dialogue", at that place is admittedly no need for culturally and ethnically specific museums. However, museums tend to assign Roma the identify of the other, thereby reinforcing and eternalising the position of the Romani people and Roma artistic practice to the periphery…
Text by Zsófia Bihari and Katalin Németh ›››
Andaro Angluno Vast | Starting time-Hand
The exhibition Andaro Angluno Vast by photographer Nihad Nino Pušija opened at ERIAC Space in the framework of EMOP on 25 September 2020, and is office of the Roma Components of the German Council of Europe Presidency during 2020. The exhibition opening was enriched with a spoken communication by fine art historian Bojana Pejić. Due to new…
Video by Kornél Szilágyi ›››
RomaMoMA Just Do It! B.A.Yard.North – An Thought for A New Museum
RomaMoMA Just Do Information technology! B.A.Yard.N (By Whatever Means Necessary) – An Idea for A New Museum, a bare piece of paper? a constellation of ideas? reactivating a concealed memory? The prototype accompanying this text is a rough set of drawings, ideas for a motif, maybe a layout for a edifice which I was thinking of…
Text by Delaine Le Bas ›››
Lecture: Prof. Dr. Gayatri Spivak on Affirmative Sabotage
On 26 February 2018, in the framework of ERIAC's commencement "International Cultural Outreach Program", Prof. Dr. Gayatri Chakravorty Spivak of Columbia University gave a lecture together with Roma feminist scholars. In this console discussion organised in ERIAC'south office and art space in Berlin, outstanding Roma activists discussed the transformative potential of transnational alliances and the…
Video by Ana Stanic ›››
Barvalo: Designing an Exhibition on and with Roma Communities in a French National Museum
In 2023, Barvalo[1] will be held at the Museum of Civilisations of Europe and the Mediterranean (Mucem), in Marseille, in the south of France. This exhibition, focused on Romani cultures and professions, is designed in collaboration with Rom, Sinti, Gitano, Manouche and French Traveller representatives from France and beyond Europe. Through inviting Romani individuals to…
Text past Julia Ferloni ›››
Argument for a Roma Transnational Museum
RomaMoMA, the aspiring project of imagining a Roma transnational museum, is non just a theoretical exercise. A Roma transnational museum has been a key desire of the Roma move since the 1960s. RomaMoMA is the natural development towards what is yet to come. This transnational European Museum is inevitable in Europe. The vision for RomaMoMA…
Text past Timea Junghaus ›››
MODEST COPERNICAN REVOLUTIONS
Imagine a presentation of Rosa Taikon's silvery jewellery at Hälsinglands Museum in Hudiksvall, a solo exhibition with Malgorzata Mirga Tas's fabric paintings at the Galerie für zeitgenössische Kunst in Leipzig, and a show with Robert Gabris's drawings at Salonul de Proiecte in Bucharest. Then there is a retrospective of Ceija Stojka and her Holocaust memory…
Text by Maria Lind ›››
Oto Hudec and Emília Rigová: a dialogue
This conversation between visual artists Oto Hudec and Emília Rigová took identify in November 2017 as a part of the Nadikhuno Muzeumos / Invisible Museum exhibition project at Tranzit.sk. It addresses the absence of Roma representation in arts and civilisation spaces and challenges the idea of the traditional ethnographic part of museums, where "othering" through…
Text past Oto Hudec and Emília Rigová ›››
SOME THOUGHTS ON THE MUSEUM OF ROMA Gimmicky Fine art
This text makes an statement for the utmost urgency to mark out and ascertain new spaces for the (re)presentation, operation and practice of Roma cultural heritage (both tangible and intangible). The Museum of Roma Contemporary Fine art would break off the idealised neutrality of national/transnational space and claim rearrangement, as well equally access to self-expression and self-representation….
Text by Anna Lujza Szász ›››
Source: https://eriac.org/category/romamoma/
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